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AVID Technology
Avid Xpress Pro 5.6 - Mac/Win - w/ FREE DMTS Training DVD
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Part number: 05000378901
GG Product ID: 26775
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MSRP: $1695
Our Price: $1593*
Availability:
1 In Stock
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Check out our
dedicated site at:
buyavid.com
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 PDF Datasheet
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Do more with Avid Xpress Pro
Real-world, real-time DV, SD, HD* and film editing for Mac and PC systems. One app has it all.
As a standalone solution or portable offline editor, Avid Xpress Pro software combines professional video, audio, film, effects, DVD authoring, and encoding tools - plus custom music creation tools - for both Mac and PC. Find out why industry - standard Avid tools are used to create nearly all of today's feature films and prime time television shows!
Edit faster.
Customizable editing toolset. Do more, and do it faster, with the most flexible, customizable editing toolset and the best effects available. Fast, fingertip trim tools. Real-time Avid multicam editing. One-Touch and NaturalMatch automatic color correction. Crisp image stabilization with auto-zoom. Pan and zoom of oversized stills. Real-time animated alpha channels. Only Avid Xpress Pro video editing gives you all this - and much more.
Open Timeline.
Use more of the industry's most popular formats more ways. With Avid's unique Open Timeline technology, you can use more of the industry's most popular formats more ways, including P2, XDCAM and other tapeless media - and do more with them. Only Avid Xpress Pro software lets you combine multiple formats in their native form - DV, SD, HD* and film -- on one timeline, in real time. When you're done, encode them anyway you want: WMV HD, MPEG-4 AVC (H.264), MPEG 2, Flash, and more.
Media. Immediately.
Media management tools Avid media management tools are used to manage the world's largest, most demanding projects. Find exactly what you're looking for every time, and never slow down for even the largest and most intricate projects.
Integrated 3D titling with Avid Marquee
Avid Marquee remains the only directly integrated 3D and advanced 2D title solution, and it's now available for Avid Xpress Pro systems on Mac and PC.
Powerful 24p and film features.
With Academy Award winning Avid Film Composer tools built right in, Avid Xpress Pro software has what you need for every kind of 24-frame editing, including film and both SD and HD 24p video.
Collaborate locally. Collaborate globally.
Start with Avid Xpress Pro software, and there's no limit to where you can go. Add seamlessly integrated 3D animation, Pro Tools audio, audio and video hardware, and more. Connect with the smartest shared storage and collaborative tools in the business. And Avid Total Conform makes it easy, fast, and affordable to give your project the same professional finish of today's big-budget productions.
Avid releases Avid Xpress Pro 5.5!!
Same great features for PC & Mac users!
Avid Xpress Pro v 5.5 software combines professional video, audio, film, effects, encoding tools, and custom music creation software – for both Mac and PC platforms in a single box. The software supports native HDV and DVCPRO HD for acquisition, editing, and output; real-time effects and 2:3 pulldown insertion over FireWire; and Avid DNxHD encoding to create effects, transitions, and titles with uncompromised image quality. Avid’s unique Open Timeline enables users to mix HDV, DVCPRO HD, and Avid DNxHD formats with SD and DV media in the same timeline in real-time, reducing the time it takes to complete projects that incorporate media from multiple sources.
Features New to Avid Xpress Pro 5.5 for both Mac and PC:
DVI monitoring. Take advantage of low cost LCD and Plasma displays for SD and HD monitoring using one of the DVI outputs of your built-in graphics card.
Toggle full screen display. Only one monitor? No problem – one keystroke fills the monitor with your HD or SD footage.
Optimized HDV output. New smart-splicing technology means no re-encoding of sections that don’t require it and much faster HDV output.
Capture from Varicam. Want to create an under-crank/over-crank look using Panasonic’s Varicam camera? Now you can, with realtime restoration of the intended frame rate during capture.
Safe color limiter. Ensures that the output always conforms to broadcast safe color standards.
Optional Avid Mojo SDI. Highest-quality uncompressed SD I/O with 8 channels of embedded audio, AES/EBU, and more, fully integrated with guaranteed performance.
Avid Xpress Pro comes with a HUGE amount of software. All top notch and valuable.
Sorenson Squeeze Compression Suite ($399.95) the industry leading encoding software for DVD, Web and more!
Smartsound Sonic Fire Pro ($279.95) Outstanding sound track creation software
Boris FX ltd & Grafitti ltd (full verisons are $199.95 each, so lets say the ltd version are $99.95)
Avid DVD by Sonic ($299.95) Full featured DVD authoring software based on DVDit 6 Pro
That's over a thousand dollars worth of third party software in the bundle! And let's remember that Avid includes a bunch of their own software - Marquee, Film Tools, Illusion FX, Stabilizer.
Plug in, capture, and go with native HDV editing.
Forget everything you've heard about working with HD and HDV. Skip the headaches and workarounds. Avid makes it easy for you to work the way you want with the industry's most flexible and complete HDV feature set. Play the video for a “quick tour” to see Avid's open timeline and how you can mix multiple HD and non-HD resolutions and camera formats in the same timeline, in real time.
Native HDV
Plug in, capture, and go. Both 1080 and 720 HDV formats are handled natively. No intermediate formats and no transcoding give you maximum quality in minimum time. You can even capture JVC's new Pro HD (24-frame HDV) directly to disk for a streamlined workflow covering the widest range of HDV formats.
Open Timeline
Why choose one format when you can choose them all? With Avid's unique Open Timeline, native HDV plays nicely with DVCPro HD, XDCAM, DV, and other HD and SD formats – all natively, all in real time. It couldn't be easier to add HDV to the other HD and SD formats you use.
Multi-format multicam
Just as you can use multiple formats the same timeline in real time, you can use more than one kind of camera while shooting: HDV, DVCPro HD, DV, BetaSP - whatever you need. Choose between different cameras while you make decisions - and cuts - on the fly, without worrying about mixing different formats. Only Avid makes it this easy.
Avid DNxHD for the HD graphics quality and performance you need.
Digital camera formats, whether SD or HD, are designed for single-generation acquisition - not for multi-layer, multi-generation effects, graphics, and titles. Uncompressed HD creates files that are too large for real-time performance and portable editing.
Thanks to Avid DNxHD, you don't have to choose between high efficiency and high quality It delivers mastering-quality HD in the same bandwidth and storage footprint as SD, which means plenty of real-time performance on the drives you may already be using - even on a laptop! Avid DNxHD is the perfect format to add the highest-quality, highest-performance compositing, effects, and animations to your HDV production.
The industry's best editing and effects
What makes Avid the world's most popular editing experience? Proven media management, automatic color correction, image stabilization with auto-zoom, real-time animated alpha channels, sophisticated trim tools, unmatched customizability - plus real-time collaboration with Avid Unity media networks You're not willing to compromise on the quality of your footage. Don't compromise on the quality of your editing tools
Avid Xpress Pro v 5.6
Avid Xpress Pro v 5.6 software combines professional video, audio, film, effects, encoding tools, and custom music creation software – for both Mac and PC platforms in a single box. The software supports native HDV and DVCPRO HD for acquisition, editing, and output; real-time effects and 2:3 pulldown insertion over FireWire; and Avid DNxHD encoding to create effects, transitions, and titles with uncompromised image quality. Avid’s unique Open Timeline enables users to mix HDV, DVCPRO HD, and Avid DNxHD formats with SD and DV media in the same timeline in real-time, reducing the time it takes to complete projects that incorporate media from multiple sources. Other enhancements in version 5.6 include:
HD and improved format support for Mac OS X systems – supports new 10-bit uncompressed SD and native DV50 formats as well as HDV, DVCPRO HD, and Avid DNxHD;
Real-time multicam support for Mac OS X systems – allows simultaneous playback of any DV, SD, or HD multicam views, for on-the-fly editing in real-time;
Tapeless workflow for Mac OS X systems – includes streamlined support for Panasonic P2 and Sony XDCAM, so users can efficiently transfer tapeless media without digitizing, transcoding, or shuttling through tapes to find a shot;
Direct ingest of XDCAM HD over FireWire – allows Avid Xpress Pro editors to capitalize on the opportunities of HD file-based production with the new Sony XDCAM HD format;
New film and pulldown support for Mac OS X systems – enables editors to capture 24p footage to disk transparently over FireWire, via normal and advanced pulldown, without the need for third-party applications or transcoding. It also includes mixed film gauges and 3-perf tracking for expanded film support;
AVX2 plug-in support for deep colorspace and advanced keyframing for Mac OS X systems – offers full control over custom parameter curves and 16-bit rendering for preserving the full color space of effects for both native Avid and third-party effects. The animation control saves time and offers the highest-quality processing;
Full-screen SD and HD monitoring using the host graphics card for both Mac and PC – enables users to monitor SD and HD projects without the need for expensive I/O and broadcast monitors by using the on-board Mac or PC graphics card and LCD or Plasma displays. Users can either monitor over the UI on a single-monitor solution such as a laptop, or use a two-head display for dedicated output;
Enhanced performance with HDV splicing for Mac and PC systems – delivers ability for long GOP material to only be re-rendered at edit points, providing much faster preparation for output than creating an entirely new stream;
Varicam support for both Mac and PC systems – Allows for the capture of material from Panasonic’s popular Varicam cameras.
In addition, Avid plans to offer Universal Binary support in future versions of Avid Xpress Pro, for forthcoming Intel-based Macs.
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